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Pragya Jaiswal role is limited, she is impressive looks wise and performance as well. His diction is impeccable while rendering sansrikt slokas as Akhanda and also while villain bashings as Murali. His towering presence as Murali, his transformation into Akhanda role make him very special. Nandamuri Balakrishna carries the movie on his shoulders end to end. Director Boyapati succeeded in what he is good at. Production by Dwaraka Creations is adequate. In second half, the scene in which Balakrishna explains the true meaning of ‘Ahimsa paramO dharmaha’ Hindu principles is highly impressive. The ‘Jai Balayya ‘ song, Interval blocks stand out in positive aspects. The mass appealing fights in second half are not coupled with strong story base. The hero director duo who proved their strength in earlier films Simha, Legend this time a bit diluted in terms of emotions in the story. Thaman’s background score is impressive it backs Balakrishna’s larger than life characterization. Post interval scene in police station followed by back-to-back high voltage action scenes fill the second half. Overall, first half has some good mass elements. After few routine scenes, Akhanda entry at interval is high voltage action episode. The introduction fight was good, Jai Jai Balayya song was impressive. Saranya ( Pragya Jaiswal) who is district collector impressed by Murali’s works marries him. Set in Ananthapuram, Murali Krishna ( Balakrishna) provides service to poor people by establishing hospitals.
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Rest of the film is about Akhanda ideology and his war on the evilĪs with any Boyapati Balayya films, Hero character is designed as a people leader. The powerful Swamiji use his clout to get Murali arrested, then enters the AKHANDA the savior. Balayya takes on the mafia because of his area people and kids get sick with the uranium mining effect. Varada Rajulu (Srikanth) and his Godfather Swamiji run illegal mining business in the area. Entertainment When Irrfan Khan left Naseeruddin Shah shocked during Maqbool: 'I reached out to support him and he said.Murali Krishna (Balakrishna) is a rich person with good reputation in Anantapur district.Entertainment Soha Ali Khan on Pataudi Palace, feeling close to father Tiger Pataudi when there: 'It is a different world.'.Centre breaks silence, hits back at China on letter to MPs, Pangong bridge.Stock markets and Omicron: Why investors need not panic yet.Prakash Raj, who plays Nayanthara’s father with grey hair and geeky glasses, looks far younger and fitter than Balakrishna. Compared to other two, Nayanthara has a slightly stronger character in this hero-worshiping film. In the second half, the story gets depressingly predictable and we are left struggling for reasons to care about the characters in the film.īalakrishna gets to romance three heroines in the film, including Nayanthara, Natasha Doshi and Hariprriya. But, he crosses paths with her in Kumbakonam, where she is running a nursery for kids with her father. Narasimha is hopping from one state to another to stay away from Gauri (Nayanthara), his ex-girlfriend in Visakha. He gets a lengthy monologue arguing why only Brahmins are qualified to the job of priests. In one scene, Narasimha leads a protest for the Brahmin community against the high-handedness of a police officer. And he takes in Narasimha and his toddler son, gives them a job and place to stay. She is the daughter of Murali Mohan, the dharmakartha of a temple. The catch is she lives in Kumbakonam, a bad backdrop to place a character like this. Natasha Doshi’s character is that of a party girl, who snorts cocaine. His writing is so outdated that he comes up really short on building any tension into the narrative to set up the audience for a big revelation. Ravikumar seemingly wanted to create Rajinikanth’s Baasha-like interval sequence but fails terribly. And just before the end of the tedious first half, we finally get to see the true power of Narasimha. And the director has written some preposterous sequences that pushes Narasimha to show off his action chops. We here get the sense that he definitely had a violent past and has turned over a new leaf for the sake of his son. He always tries to keep away from violence and turn the other way even when trouble comes calling. Narasimha (Balakrishna) travels from one city to another and one state to another in search of a peaceful life for him and his newborn child.